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米洛映象｜長卷平墅：靜謐山水之間，意境棲居之所

INTRODUCE

郴州長卷位于國家4A級(jí)旅游景區(qū)王仙嶺東大門，近鄰東湖公園，盡攬緊缺的生態(tài)資源，以“傳承與再造”的精神，汲取郴州文化、建筑之精華，遵循城市地域文化之脈絡(luò)，重新賦予土地與建筑生命，是郴州千年來凝練出的建筑美學(xué)與文化智慧的載體。本案以現(xiàn)代極簡的豐富筆觸，從生活出發(fā)，回歸生活本質(zhì)，將人們對(duì)自然生活的向往發(fā)揮到極致。勾勒出一幅極具時(shí)尚質(zhì)感又不失淡雅生活的自然畫卷。

入戶 · HOUSEHOLD

入戶玄關(guān)處，一抹純粹而靜謐的橙棕色作為點(diǎn)睛之筆引入眼簾，幾何立體線面的藝術(shù)裝置品以不同的表面質(zhì)感及肌理的材質(zhì)，降低部分硬體造型在空間中的比例，賦予整個(gè)空間自由寧靜的感覺，營造出藝術(shù)而輕松的氛圍。現(xiàn)代簡約落地?zé)襞c百葉窗相互映襯，創(chuàng)意弧形休閑椅承接窗外的自然光影，是冬日暖陽，亦是夏日清流。

In the entrance, a touch of pure and quiet orange brown is introduced into the eye as the finishing touch. The geometric three-dimensional art installation uses different surface texture and texture materials to reduce the proportion of part of the hardware modeling in the space, endowing the whole space with a sense of freedom and tranquility, and creating an artistic and relaxed atmosphere. Modern simple floor lamps and shutters set off each other, creative curved leisure chair to accept the natural light and shadow outside the window, is the winter warm sun, is also the summer clear stream.

客廳 · SITTING ROOM

客廳以高級(jí)而穩(wěn)重的黑白灰簡單鋪陳，賦予空間干凈利落的視覺感官與嚴(yán)謹(jǐn)克制的抽象感知。而局部的橙棕色為空間的點(diǎn)綴色，不僅給增添一縷活潑的氣質(zhì)，更是交給生活的肆意浪漫。落地?zé)舻难诱剐螒B(tài)牽引著視線跳躍，使得空間更具鮮活層次感。

The living room is simply laid out in high and stable black, white and gray, giving the space a clean visual sense and a rigorous and restrained abstract perception. And the adornment color that local orange brown is a space, give add a lively temperament not only, it is the wanton romance that gives the life more. The extended form of floor lamp is pulling the line of sight to jump, making the space more vivid sense of levels.

皮革和布藝材質(zhì)的單人椅為空間增添精致的腔調(diào)。簡約現(xiàn)代的生活藝術(shù)感，都在新穎的造型、色彩、材質(zhì)的作品中體現(xiàn)得淋漓盡致，而優(yōu)雅的設(shè)計(jì)風(fēng)格又賦予了整個(gè)空間充滿時(shí)尚感。

Leather and cloth art qualitative single person chair add delicate tone for the space. Simple and modern sense of life art, are reflected in the novel shape, color, material works incisively and vividly, and elegant design style gives the whole space full of fashion sense.

餐廳 · DINING ROOM?

餐廳擯棄繁雜，以極簡時(shí)尚為紐帶，恰到好處的色調(diào)喚起生活與藝術(shù)的平衡。北歐極簡燈飾無過多冗雜，線條感十足，詮釋出精致優(yōu)雅的生活情調(diào)。柔和的風(fēng)吹進(jìn)餐廳，窗簾隨風(fēng)搖曳，餐桌上美食相伴，生活的品質(zhì)與格調(diào)在這一刻達(dá)到極致。

The restaurant abandons the complex, with the minimalist fashion as the link, the appropriate color evokes the balance between life and art. Nordic minimalist lighting without too many miscellaneous, full sense of line, the interpretation of a delicate and elegant life sentiment. The soft wind blows into the dining-room, the curtain swaying with the wind, the delicious food on the table is accompanied, the quality of life and style reach the acme at this moment.

藝術(shù)走廊 · ART GALLERY

現(xiàn)代藝術(shù)追求新觀念和新價(jià)值，不僅將自身表現(xiàn)與感受自然，更是融入自然。藝術(shù)裝置品拋卻裝飾化與浮華的設(shè)計(jì)風(fēng)格，在喧囂生活中追尋那份獨(dú)有的寧靜。暖色調(diào)燈光沿壁鋪陳，一抹綠意為空間增添幾分生命的活力。

Modern art pursues new ideas and new values. It not only expresses and feels nature, but also blends itself into nature. The art installation abandons the decorative and flashy design style, and pursues the unique tranquility in the noisy life. Warm light along the wall spread, a touch of green meaning for the space to add a few minutes of vitality of life.

書房 · THE STUDY

書房整體風(fēng)格雅致清淡，成熟穩(wěn)重。銀灰色與低飽和度的黑色相融合，壁柜上精致的擺件、立體有型的藝術(shù)裝置品、造型獨(dú)特的燈飾，都體現(xiàn)出書房十足的人文底蘊(yùn)與藝術(shù)氣息。

Study integral style is refined and delicate, mature and sedate. Silvery gray and the black photograph of low saturation confluence, the delicate place on mural ark, stereo artistic installation that has model is tasted, the lamp with distinctive modelling is acted the role of, reflect the humanistic foundation with dye-in-the-wood study and artistic breath.

主臥 · MASTER BEDROOM

主臥整體空間低調(diào)奢雅，極富格調(diào)。用簡約純粹的設(shè)計(jì)語言，賦予空間生命力與藝術(shù)感，同時(shí)融入文化注腳，不囿于邊界。背景墻上的藝術(shù)裝置品留存?zhèn)鹘y(tǒng)風(fēng)格，又與空間整體色調(diào)相融合，用看似隨意實(shí)則有致的線條秉寫臥室主人的簡雅情調(diào)。

The overall space of the master bedroom is low-key and elegant, with rich style. With simple and pure design language, the space is endowed with vitality and artistic sense, while integrating cultural footnotes, not confined to the boundary. The artistic installation on setting wall is tasted retain traditional style, tonal photograph confluence with spatial whole again, with look be like the simple elegant emotional appeal that the line that has send is Bingzhe that writes bedroom host at will actually.

次臥 · SECOND LIE

次臥將主臥的整體風(fēng)格延續(xù)，鉛筆銀灰色調(diào)打造出一間極具質(zhì)感的休憩空間。幾點(diǎn)棕橙色作為點(diǎn)綴，溫暖與活力撲面而至。床頭兩邊的裝飾臺(tái)燈線條流暢，造型獨(dú)特，如光而至，如形隨形。

The second bedroom continues the overall style of the master bedroom, and the pencil silver gray tonal creates a rest space that has simple sense extremely. A few brown orange as the ornament, warmth and vitality to the face. The adornment desk lamp line of both sides of the head of a bed is fluent, modelling is unique, be like light and arrive, be like the form follows the form.

女兒房 · GIRLS ROOM

代表著夢(mèng)幻與浪漫的粉色對(duì)女孩有著天生的吸引，以盲盒為主題的女孩房用溫柔到極致的公主粉打造出一個(gè)夢(mèng)幻的童話世界。充滿童趣的玩偶擺放排列有序。偶爾的金屬點(diǎn)綴為空間增添些許質(zhì)感。眼尾微微上挑的少女看似玩世不恭，實(shí)則馴良可愛，宛如孩童在這個(gè)淡漠世界中是永遠(yuǎn)純真善良的存在。

Representing dream and romantic pink are having innate attraction to the girl, the fairy tale world that gives a dream with the princess powder that the girl room that gives a theme with blind box is made with tenderness to acme. Dolls full of childlike interest are arranged in order. Occasional metallic touches add texture to the space. The girl with the slightly upturned eyes looks cynical, but in fact she is gentle and lovely, just like a child who is always pure and kind in this indifferent world.