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以木為墨，刻畫生活。以木制家具作為媒介，表達自己對生活的理解。依照自由的生活去做設計，建造環保、自然、健康的空間。只以木作營造空間，不施涂料，不敷顏色，返樸述真。

Use wood as ink to depict life. Use wooden furniture as a medium to express your understanding of life, design in a free way, and build an environment-friendly, natural and healthy space. Only wood works are used to create space, and paint and color are not used.

▼項目一瞥，Preview ? ingallery金嘯文

項目的位置正是這棟老樓首層的一側沿街空間。嚴格來說，這不是一棟完整的老樓，早期是民國時期江南造幣廠的車間，園區改造時，新建一棟辦公樓在其內部，只剩下幾片高聳的紅色磚墻，延續著它的前世今生。紅色磚墻上的窗洞著聯系內外兩側的風景，外側是城市，內側的當代建筑脫開磚墻而立，其間的空隙自然形成過渡空間。

The location of the project is the street space on one side of the first floor of the old building. Strictly speaking, this is not a complete old building. In the early period, it was the workshop of Jiangnan Mintage in the Republic of China. During the transformation, a new office building was built inside, leaving only a few towering red brick walls. The windows on the red brick wall connect the scenery on both sides of the wall. The outside is the city. The contemporary buildings on the inside are separated from the brick wall. The gap between them forms a transitional space.

▼建筑外觀，Exterior view ? ingallery金嘯文

這是反幾在國創園的第五個項目。前四個項目是MOTIVA健身房、江南造幣博物館、Aritco電梯展廳和20號樓門廳改造，均以內部改造為主，輔以少量立面更新回應城市。

This is FANAF’s fifth project in L.Park. The first four projects are the reconstruction of MOTIVA Gymnasium, Jiangnan Mintage Museum, Aritco Elevator Exhibition Hall, and the lobby of Building 20, which are mainly internal reconstruction, with less facade reconstruction responding to the city.

▼國創園11#樓2012年與2021年歷史照片，Historical photo of the L.Park ? 反幾建筑 FANAF

與之不同，新項目以紅色磚墻面向城市，真正提供功能性的建筑立面在其內側，間隔空隙，與紅色磚墻共同組成既有的建筑邊界。這為我們探索新的城市與建筑的界面關系提供了合適的契機。

Different from the previous projects, the new project faces the city with red brick walls. The building facade that really provides functionality is on the inside of the new project. The gap and the red brick wall together form the building boundary. This provides a suitable opportunity for us to explore the new interface relationship between city and architecture.

▼改造后的建筑立面

The facade after renovation ? LOG對數攝影工作室

紅色磚墻作為歷史遺存得以保留并加以修繕和維護，成為當代城市所必需的文化面貌，述說一段過往，也是改造設計的故事背景。因此，我們對建筑邊界的操作主要集中在首層立面及其與紅色磚墻之間的空隙。我們將空隙分隔為入口庭院與內部庭院，同時，在兩個庭院分別置入不同的住宅功能，打破立面界限，以此重構并模糊建筑邊界。

▼軸測分析圖，Axon ? 反幾建筑 FANAF

As a historical relic, the red brick wall has been preserved, repaired and maintained, becoming a necessary cultural feature of the contemporary city. It tells a story of the past and is also the background of the transformation design. Therefore, we mainly focus on the first floor elevation and the gap between the first floor elevation and the red brick wall. We separate the gap into the entrance courtyard and the internal courtyard. At the same time, different residential functions are placed in the two courtyards to break the facade boundary, so as to reconstruct and blur the architectural boundary.

▼新項目以紅色磚墻面向城市 ? LOG對數攝影工作室

The new project faces the city with red brick walls

▼朝向庭院的立面，Facade facing the courtyard ? LOG對數攝影工作室

設計將住宅空間中所涵蓋“書房、廚房、臥室、客廳、茶室”等功能獨立提取，以不同開敞面。

The design independently extracts the functions of “study, kitchen, bedroom, living room, tea room” and other functions covered in the residential space to show different open surfaces.

▼玄關 &廚房，Entrance & Kitchen ? LOG對數攝影工作室

▼茶室，Tea room ? LOG對數攝影工作室

兩個庭院對建筑邊界的模糊化處理略有不同。在入口庭院，黑色盒子嵌入建筑，一半在室內，另一半以整面無框的玻璃延伸至庭院，建筑內部的世界向外鋪陳，透過紅色磚墻上的窗洞滲入城市。城市的風景也透過窗洞，將生活的浪漫與生命的朝氣映射在黑色盒子的玻璃立面上。

The two courtyards have slightly different ways of blurring architectural boundaries. In the entrance courtyard, the black box is embedded in the building, half of which is indoor, and the other half extends to the courtyard with a whole side of frameless glass. The world inside the building is laid out and infiltrates the city through the windows on the red brick wall. The scenery of the city also reflects romance and vitality on the glass facade of the black box through the window.

▼庭院，Courtyard ? ingallery金嘯文

▼書房，Study ? ingallery金嘯文

▼室內全貌，Interior overall view ? ingallery金嘯文

在內部庭院，室內的原木吊頂向庭院延伸，新的立面退后消隱，室內外空間融為一體。C字形茶座坐落于院中，對外部的城市環境進行局部的限定，通透的空間因此多了一分內向。

In the internal courtyard, the indoor log ceiling extends to the courtyard, and the new facade is hidden to integrate the indoor and outdoor spaces. The C-shaped teahouse is located in the courtyard, dividing the external urban environment and making the transparent space introverted.

▼C字形茶座坐落于院中，The C-shaped teahouse is located in the courtyard ? LOG對數攝影工作室

▼模糊的建筑邊界，The blurred boundary of architecture ? LOG對數攝影工作室

兩個庭院、兩種盒子、兩種模糊，與紅色磚墻，共同形成了一種新的城市與建筑的界面關系。它解構了原有建筑邊界，并使之立體化、相對化、模糊化。

Two courtyards, two boxes and two blurs, together with the red brick walls, form a new interface between city and architecture. It deconstructs the original architectural boundary and makes it three-dimensional, relative and fuzzy.

▼新的城市與建筑的界面關系，A new interface between city and architecture ? LOG對數攝影工作室

歷史與當代的對峙產生時空的變幻與交融，邊界的多重意義不再清晰與確定，置身其中的人們因此不受常規概念上的束縛，獲得身體與精神上的雙重自由。

The confrontation between history and the contemporary has resulted in the change and blending of time and space, and the multiple meanings of the boundary are no longer clear and definite. Therefore, people who are in it are not bound by the conventional concepts, and obtain the dual freedom of body and spirit.

▼建筑鳥瞰，Aerial view ? ingallery金嘯文

當界面關系不再清晰，當建筑內外變得模糊，當空間開始滲透，園林的感覺便出現了。

When the interface relationship is no longer clear, the interior and exterior of the building become blurred, and the space begins to penetrate, the sense of the garden appears.

▼室內細節，Interior detailed view ? ingallery金嘯文

▼傍晚的庭院，Courtyard at dusk ? LOG對數攝影工作室

新增形體與原有結構之間，用櫻桃木原木隔斷分離，明晰新老結構關系之外，也創造新的氣候邊界。

Cherry logs are used to separate the newly added shape from the original structure, making clear the relationship between the new and old structures and creating a new climate boundary.

▼形體之間的“縫” ? LOG對數攝影工作室

The gaps between structures