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在同一片屋檐下的兩家書店，利用同一棟別墅的不同房間改造而成，一家是大人的建筑書店，一家是兒童書店，它們既和諧又有微差。項(xiàng)目位于北京順義，改造前是一棟坐落在湖畔密林里的單層別墅，室內(nèi)由一條走廊串聯(lián)若干房間，空間高度有4.8米和3.5米兩種。這棟房子需要被改造成一個能同時容納建筑書店（卷宗書店）、兒童書店（一善書店）、餐廳、畫廊展廳和后勤辦公的場所。

Two bookstores under the same roof are renovated from different rooms in the same villa. One is an architecture bookstore and the other is a children’s bookstore. They are slightly different but harmonious. Located in a dense forest by a lake in Shunyi, Beijing, this project is renovated from a Prairie style villa, with a inner-corridor linking several rooms. There are two kinds of interior heights: 4.8 meters and 3.5 meters. This building needed to be transformed into a space that could accommodate an architecture bookstore（Juanzong Bookstore）, children’s bookstore (Yishan Books), restaurant, gallery, and office.

▼位于湖畔林間的書店，Bookstores in the Woods by the lake ? 朱雨蒙

花園里的書店

Bookstores Surrounded by Gardens

現(xiàn)狀建筑北側(cè)原來的入口和車行道路直接相連，東側(cè)與斜對面的別墅對視，西側(cè)緊鄰嘈雜的步道，建筑外圍的場地沒有太強(qiáng)的領(lǐng)域感。我們首先在房子的東北西三個面各加了一個院子，增添了從外部進(jìn)入建筑的空間層次，這也為將來舉辦戶外活動預(yù)留出場地。入口前院中補(bǔ)種了兩棵樹，在夏季可以提供一些樹蔭。原本的院墻，由于物業(yè)管理方對其高度做出了限制，于是院墻改成了長凳。西側(cè)和東側(cè)的兩個院子，只是簡單用低矮的樹籬圍合，盡可能保留了現(xiàn)狀的植物。

▼改造前單層別墅的北立面&別墅起居室西南角的落地窗，The north facade of original villa & the picture windows in the southwest corner of the original living room ? 朱雨蒙

The original entrance on the north side is directly connected to the driving road, the east side is facing the other villas, and the west side is close to the noisy walkway. The site around the building has little specific sense of place. We added a courtyard on the east, north and west sides, which enriched the spatial depth of approaching the building, and also reserved spaces for future outdoor activities.. Two trees were planted in the forecourt on the north to provide some shade in summer. The original courtyard wall was converted into a bench because the property management restricted its height. The two courtyards on the west and east sides are simply enclosed by low hedges, and the existing plants are preserved as much as possible.

▼改造后的入口庭院和補(bǔ)種的兩顆大樹，New forecourt and new trees ? 朱雨蒙

▼改造后卷宗書店西南角連通室外庭院的折疊門，Original windows on the west were replaced with folding doors that allow people to walk through into courtyard ? 朱雨蒙

兩個書店，兩種空間

Individual Bookstores, Individual Spaces

現(xiàn)狀建筑是磚混結(jié)構(gòu)，需要在保持原有承重墻和立面洞口完全不變的前提下，規(guī)劃內(nèi)部空間的使用。我們利用原來空間較高的門廳、客廳和餐廳，分別作為書店入口、卷宗書店的閱讀區(qū)和咖啡區(qū)，同時把靠近流線盡頭且空間較低的三間房間，作為兒童書店，那里既安靜又私密。這樣，同一個屋檐下既包含了建筑書店，又容納了兒童書店，兩者有不同的空間邏輯。我們希望建筑書店的空間是連續(xù)而外向的，兒童書店則是內(nèi)向的、包裹感強(qiáng)的，同時兩者在風(fēng)格上既和諧又有微差。

The current building is a brick-concrete structure, and it is necessary to plan the use of internal space while keeping the original load-bearing walls and facade openings completely unchanged. We used the original higher foyer, living room and dining room, as the entrance lobby, the reading area and the coffee area, at the same time, the three lower rooms near the end as the children’s bookstore, where it is quiet and private. In this way, both the architecture bookstore and the children’s bookstore with individual spatial logics are contained under the same roof. The space of the architecture bookstore is continuous and extroverted, while the children’s bookstore is introverted and wrapped. These two are slightly different but harmonious.

▼原別墅起居室南面落地窗擴(kuò)展為凸窗并增設(shè)的沙發(fā)座椅成為卷宗書店的閱讀區(qū)，Original south window was transfered into a bay window with a sofa which become the reading area of the architecture bookstore ? 朱雨蒙

通透連續(xù)的卷宗書店

Openness and Continuity of Architecture Bookstore

從外廊進(jìn)入到門廳，視線通過餐廳隔墻上的窗洞，直接被引向室外的院子，層次一多，空間會顯得更深遠(yuǎn)。我們把客廳和餐廳西南角的三面落地窗拆除，西面的兩處替換成讓人可以走到室外庭院的折疊門。南面的一處則向外擴(kuò)展為凸窗，并設(shè)置閱讀沙發(fā)，成為了建筑書店的閱讀區(qū)。這樣擴(kuò)展了室內(nèi)空間的寬度，感受也更舒展。卷宗書店和餐廳原本在空間上是連續(xù)的，通過打開的立面，又進(jìn)一步將空間的連續(xù)延伸到室外。整個卷宗書店的一側(cè)采用了木吊頂，讓這片區(qū)域籠罩在同樣的氛圍下。同時利用吊頂?shù)母叨群桶鍓K的分割設(shè)置了空調(diào)風(fēng)口，保持了室內(nèi)的簡潔。

Entering from the porch to the lobby, the viewing is led directly to the courtyard through the window on the restaurant’s wall, and the space will appear deeper once more layers are added. The three picture windows in the southwest corner of the original living room and dining room were removed, and the other two on the west were replaced with folding doors that allow people to walk through into courtyard. The one on the south which extends outward into a bay window with a sofa, becomes the reading area of the architecture bookstore. In this way, the interior space was expanded with more relaxing feeling. With the openable facade, the space continuity of architecture bookstore and the restaurant is further extended to the courtyard. The architectural bookstore has a wooden ceiling that also has a relaxing atmosphere, and the ends of air-conditioning and other M&E equipment are embedded between the ceiling plates.

▼卷宗書店內(nèi)景，Interior of architecture bookstore ? 朱雨蒙

▼卷宗書店的閱讀區(qū)，The reading area of the architecture bookstore ? 朱雨蒙

▼卷宗書店的書架和燈具，F(xiàn)urniture and Luminaire of architecture bookstore ? 朱雨蒙

像家一樣的兒童書店

A Children’s Bookstore Like Home

從門廳進(jìn)入到內(nèi)廊，來到了兒童書店的區(qū)域。木墻裙的飾面讓空間的基調(diào)變得溫暖柔和，我們希望兒童空間像家一樣舒適，是可以讓人坐下來的地方。兒童書店所在的三間原是別墅的臥室，我們只是拆除了衛(wèi)生間的隔墻，使空間更完整，然后靠墻擺滿了木制的書架，靠窗設(shè)置了長凳，房間中間放置低矮的大桌和書柜，降低了整個空間的重心，營造一種內(nèi)向的包裹的氛圍，無論坐在窗前還是燈下，都讓人感到舒適而放松。

From the lobby, through corridor, children’s bookstore is located at the end of the corridor. The wooden winscot makes the tone of this space warm and soft. We hope that the children’s space is as comfortable as home and a place where people can sit down. There were originally three bedrooms, and we just removed the bathroom’s walls to make the space more organized. Wooden bookshelves are placed against the wall, benches are set up by the window, and low tables and bookcases are placed in the middle of the rooms, which creating an introverted and wrapped feeling by lowering the focus of entire space. Whether sitting in front of the window or under the lamp, it makes people feel comfortable and relaxed.

▼像家一樣的兒童書店，A Children’s Bookstore Like Home ? 朱雨蒙

▼兒童書店的書架和燈具，

Furniture and Luminaire of children’s bookstore ? 朱雨蒙

相同的外表，不同的室內(nèi)

Same Appearance, Different Inner Space

現(xiàn)狀建筑的外立面是瓷磚貼面，品質(zhì)不佳，局部也有剝落。從造價和工期角度考慮，我們決定用一層較厚的膩?zhàn)尤趸写纱u的肌理，并制造出一些不均質(zhì)和粗糙的手工痕跡，再覆蓋亞光的涂料，讓建筑表面沒有那么呆板生硬。從湖對岸眺望，低矮建筑、樸素的外墻，和如畫的風(fēng)景融為一體。

The facade of the existing building is covered with ceramic tiles, which is of poor quality and peeling off in some parts. Considering the cost and construction period, we decided to use a thick layer of putty to weaken the texture of the original tiles and create some uneven and rough hand traces, then cover with a matt paint to make the building surface more vivid. Looking from the other side of the lake, the low building and plain facades blend in with the surrounding picturesque scenery.

▼與庭院連通的餐廳，Restaurant connected to the courtyard ? 朱雨蒙

在一致的外表下，我們對兩家書店的室內(nèi)風(fēng)格作了細(xì)膩的區(qū)分。人可以觸碰到的家具，只有建筑書店使用了鍍鋅鋼板，兒童書店則都是木材。二者的鋪地也有差別，建筑書店使用了較為簡潔的直鋪，兒童書店則用人字鋪增加了一點(diǎn)活潑感。

Under the same appearance, we made a delicate distinction between the interior of the two bookstores. Among the furniture that people can touch, the architecture bookstore uses galvanized steel sheets, while the children’s bookstore is made of wood. There are also differences in the way of floor paving between the two. The architecture bookstore uses a simple straight flooring, while the children’s bookstore uses a herringbone flooring to add a little lively tonality.

▼從餐廳望向卷宗書店的閱讀區(qū)，

Looking from the restaurant to the reading area of architecture bookstore ? 朱雨蒙

家具和燈具

Furniture and Luminaire

我們?yōu)闀暝O(shè)計(jì)了家具和燈具。大吊燈由鍍鋅鋼板制成，巨大的形體可以統(tǒng)治整個空間氛圍。足夠的發(fā)光面積讓光源的可視面保持柔和，上下發(fā)光，夜晚室內(nèi)也有均勻的光照。卷宗書店的書架延續(xù)自我們之前為第一家卷宗書店所做的設(shè)計(jì)，自帶光源，避免了在天花上安裝射燈，保持了天花的相對整潔。至于兒童的書架，我們首先考慮的是如何方便兒童選書。童書有時候并不輕薄，而且常常開本很大，根據(jù)兒童身高，我們把倒數(shù)第二層設(shè)計(jì)成 “可以大致翻閱層”，我們希望比較厚重的書可以放在這一層，方便兒童挑選。較高的層都是封面朝外，方便兒童判斷，家長協(xié)助拿取。最下面一層是密集擺放層。書架上部伸出弧形的挑板為照亮?xí)芴峁┤岷偷墓庠础?/p>

We designed the furniture and luminaire for the bookstore. The large pendent lamp is made of galvanized steel, and its huge form can rule the whole atmosphere of the space. The luminous area is large enough to keep the visible surface of the illuminant soft, emitting both up and down, so that there is even illumination in the room at night. The bookshelf is a continuation of our previous design for the first Juanzong bookstore, with its own illuminant, keeping the ceiling tidy without installing spotlights. As for the children’s bookshelf, our first consideration is how to facilitate children’s access to books. These books are sometimes not light, and often in large format. According to the height of children, we designed the penultimate layer as “a skimming-reading dock”. We hope that thicker books can be placed on this layer for children to choose. The books on the higher layers are with the covers facing outward, making it easy for children to find and for parents to assist in picking them up. The bottom layer is used as dense placement of books. The curved cantilever plate with embedded illuminant extending from the top of the bookshelf provides soft lighting for reading and book display.

▼隔墻上的窗洞將視線透過餐廳引向室外庭，

The viewing is led to the courtyard through the window on the restaurant’s wall ? 朱雨蒙