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The Ninth咖啡館首店位于上海長(zhǎng)風(fēng)大悅城一樓，處在商場(chǎng)中心的戶外中庭的一角。全室外的氣候、中庭的廣場(chǎng)尺度以及帶有街道感的流線為項(xiàng)目帶來了完全城市性的特別氛圍。佇立于商場(chǎng)擁擠的人流中，咖啡館就像一艘大船，從內(nèi)部徐徐駛出，停泊在轉(zhuǎn)角處；彎曲的玻璃立面，連同仿佛桅桿般的木質(zhì)桿件，好似被風(fēng)浪吹起的船帆，伴隨著人流輕輕擺動(dòng)。

Located on the ground floor of Shanghai Changfeng Joy City, the Ninth Coffee occupies one corner in the outdoor atrium of the shopping mall. The all-outdoor climate, the square scale of the hall and the street neighbourhood feel bring the project a special urban atmosphere.

▼建筑外觀，exterior view ? 陳顥

▼建筑長(zhǎng)立面外觀，the long facade of the building ? 陳顥

▼緊貼建筑轉(zhuǎn)角紅線的Kiosk，closer view of the facade ? 陳顥

咖啡館的空間由一個(gè)“支點(diǎn)”：Kiosk, 出發(fā)。它像碩大公共廣場(chǎng)上立著的一個(gè)小邊亭，向各個(gè)方向打開。對(duì)于從任意方向來的行人，這都是最先映入眼簾的、一個(gè)強(qiáng)有力的存在—一個(gè)買賣與交流的中心。

▼草圖，sketches ? 方書君工作室

The café starts with an“anchor”: Kiosk. Like a small side pavilion in a public square of a city, it opens up in all directions. Its powerful presence catches the eyes of pedestrians coming from any direction – a centre for trading and communication.

▼緊貼建筑轉(zhuǎn)角紅線的Kiosk，kiosk close to the site red line ? 丁思民

▼葉子柔和地向內(nèi)彎曲，讓出部分紅線，the facade bends gently inward, sets back from the red line ? 丁思民

與傳統(tǒng)咖啡館中將吧臺(tái)置于店鋪內(nèi)側(cè)的設(shè)置相反，設(shè)計(jì)將吧臺(tái)提到外側(cè)最前端，把咖啡制作的過程零距離地展現(xiàn)給外界。兩個(gè)出入口環(huán)繞在Kiosk兩側(cè)，使得kiosk更似一個(gè)小島，行人可從內(nèi)外兩側(cè)分別停靠。

Contrary to the traditional café setting where the counter is placed inside the store, our proposal pushes it to the very forefront, showing the process of coffee making to the public in close distance. Two entries surround the kiosk on either side, making it more like an island and people can stop and pass by from both sides.

▼室內(nèi)概覽，overall of interior ? 陳顥

▼從主就餐區(qū)看向被擠壓的過道，viewing the squeezed aisle from the main dining area ? 陳顥

▼咖啡制作區(qū)內(nèi)景，interior of the coffee-making area ? 陳顥

▼從制作區(qū)看向北側(cè)就餐角，viewing the north dining corner from the production area ? 陳顥 / 丁思民

▼水磨石結(jié)構(gòu)在建筑內(nèi)部形成就餐區(qū)，

the terrazzo structure forms a dining area inside the building ? 丁思民

▼水磨石結(jié)構(gòu)在建筑內(nèi)部形成就餐區(qū)，

the terrazzo structure forms a dining area inside the building ? 丁思民Kiosk的存在感與重量感從端頭出發(fā)，通過連續(xù)的、如洞穴般的水磨石結(jié)構(gòu)，傳遞到店鋪內(nèi)部，雕刻式地形成了各式功能空間。猶如一塊被挖掘過的石頭，從建筑內(nèi)部沿著原有結(jié)構(gòu)生長(zhǎng)出來，在靠近場(chǎng)地中心點(diǎn)的位置拐了一個(gè)彎，結(jié)束于最外側(cè)的轉(zhuǎn)角Kiosk。通過這個(gè)動(dòng)作，被水磨石結(jié)構(gòu)切割出的空間，并經(jīng)過道的擠壓，在規(guī)則的紅線內(nèi)產(chǎn)生了對(duì)角線般的視線關(guān)系。

▼分析圖，analysis diagram ? 方書君工作室

The presence and weight of Kiosk is transmitted from the head to the interior of the store through a continuous, cave-like terrazzo structure, sculpting various functional spaces: the coffee making area, cashier, storage and dining area. Like an excavated stone, it grows out of the interior along the original column, makes a bend near the centre of the plot and ends at the outermost corner. Through squeezing of the corridor, the space cut out by the terrazzo structure creates a diagonal view contact within the regular plot line.

▼視線的轉(zhuǎn)折，turning of the sight ? 陳顥

▼葉子形立面內(nèi)景，interior view of the leaf-shaped facade ? 陳顥

▼充滿重量感的水磨石結(jié)構(gòu)與輕盈的葉子狀木構(gòu)立面，heavy terrazzo structure and light leaf-like wood facade ? 陳顥

與石材的重量感相比，其余立面通過通透的玻璃與結(jié)構(gòu)的構(gòu)件感，呈現(xiàn)出一種截然相反的輕盈姿態(tài)。長(zhǎng)向立面上，一片葉子形狀的卡座區(qū)呈現(xiàn)向內(nèi)輕蜷的趨勢(shì)，將路人柔和地“擁”進(jìn)來。

In contrast to the weightiness of the stone, the rest of the fa?ade presents an opposite lightness through translucent glass and structural elements. Along the long fa?ade, a leaf-shaped seating area tends to curl inwards, gently ’embracing’ passers-by.

▼從內(nèi)部看葉子狀立面，viewing the facade from interior ? 陳顥

▼葉子形狀的卡座區(qū)呈現(xiàn)向內(nèi)輕蜷的趨勢(shì)，the leaf-shaped seating area tends to curl inwards ? 陳顥

▼卡座細(xì)節(jié)，details of the seating area ? 陳顥

由櫻桃木包裹的木質(zhì)桿件把大尺度的立面降低為近人的尺度，生成了即開敞又有私密型的空間。通過讓出與激活小部分紅線內(nèi)空間，削弱了公區(qū)的通道感，同時(shí)增強(qiáng)與外界人流的互動(dòng)性。

Warm cherry wood rods reduce the large scale of the fa?ade to an intimate human scale, creating an open but cozy space. By giving up some areas within the red line and activating it, the passage feel of the mall corridor is weakened, while enhancing and encouraging the interaction with inside and outside

▼葉子形立面細(xì)節(jié)，details of the leaf-shaped facade ? 丁思民